Cotton Versus Linen. Which is Correct for an 18th Century Cot?
When recreating a historic piece of furniture I look at as many existing original samples as possible. After all, the resulting recreation has to be right! Having said that, the making of Revolutionary War era cots has posed a dilemma for years, because the several original cots I have seen never had original fabric in place.
What I do know it that headboard peg’s spread has a width of 30 plus inches. The pin between the legs fixed the height and that too pointed to a 30 inch width. Canvas and most other fabric rarely exceeded 26 inches (this probably due to having to pass a hand shuttle back and forth when weaving).
Frank Rodrigues in New Bedford repairs sails for many historic and reproduction square riggers today and the English linen canvas he uses still comes 26 inches wide. Linen is preferred because it does not stretch. Cotton does stretch and was too expensive in the 18th century for sails, tents, or cots. The only answer seemed to be to sew two pieces together of linen together. Now that gets expensive and I have no proof it was correct.
Enter Jim Kochan (James A. Kochan Fine Art & Antiques Frederick, MD) with an original cot with the original pieced canvas in place! So now I had confirmation of the piecing together the fabric. Now the question is answered but the cost is higher. Oh well, either it is right or it is not.
My cots now will be with the pieced (double hand stitched) heavy linen canvas stitched and supplied by Frank Rodrigues. The canvas will be secured to the cot rails by nails through a strip of leather all as observed from original 18th Century examples. The cots will handle very large people with no problem, disassemble for easier transport, and provide a sense of satisfaction of sleeping in comfort more correctly.
18TH CENTURY FOLDING BEDSTEAD
18th century design folding bedstead with bedding (tic) contained in a hide covered trunk. The idea to build this piece came from reinactor Jose Lopez Reyes who saw an original in a museum in Madrid, Spain.
George Washington had one that is now at The Henry Ford Museum, Dearborn, Michigan. This one utilizes a wooden frame, however, Washington’s frame was metal.
The bed measures 32 inches wide by 73 inches long. Heavy linen sailcloth laced with hemp cordage provided by Frank Rodrigues. All hardware is hand forged period correct, blacksmithed by Jeff Miller. More than 500 cast brass nails (tacks) secure and decorate the oiled goat raw hide covering. These are the same tacks used Steve Freede of The Trunk Shoppe. The case is lined with green wool baize and fully finished.
This unique piece was shown at the Pennsylvania Fine Folk Art and Arms Show, October 28, 29, 2011 at Carlisle, Pennsylvania.









